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Point is this lens is more or less disposable. Great lens for the money though and for anyone that doesn't own a fast lens yet, this is the first thing to buy. It opens up a world of bokeh and flash-less indoor photography and you don't have to worry about taking it anywhere. I would go so far as to say this is THE lens that one should learn photography with. |
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| 02-22-2013, 08:07 AM | |
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Excellent suggestion. I have this setup and it covers 95% of what I need. For that other 5% I use a teleconverter and lose a stop of light on the 70-200mm 2.8. Doesn't matter though since I will be outside at that point and F4 is more than adequate. |
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Don't get me wrong, the 50 is much more sharper than my 28-135....but I can never count on it to lock in the focus I want. Indoors it hunts like a mother trying to focus on what I want. Never had issues with the 28-135. |
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I'd say get the 50mm. f/1.8 is great for shooting indoors in varying light, and you can always stop it down if you want that added sharpness. They maintain their value relatively well. You could probably resell for $75 without too much trouble if you keep it nice, higher resell is possible though. |
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Thanks, with the 24-105mm f4 L IS USM lens, would you recommend one to get the Canon EF 24-70mm f/2.8L II USM? I was thinking of the tele lens Canon EF 70-200mm f/2.8L USM as well, but the one with IS is almost 1k more, worth it? |
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I would definitely not bother with the 24-70 if you're keeping the 24-105 unless you absolutely need the wider aperture since you have the entire focal length range covered in L glass already. While it does appear that the 24-70 produces better pictures than the 24-105, I think the differences are going to be fairly marginal for the $1k upgrade unless you're making a living off photography. If you absolutely must have the aperture, I personally would hang onto the 24-105 and think about picking up a a nice prime lens or two (50mm 1.4 USM, 28mm 1.8 USM, etc.). A friend of mine just rented the 70-200 2.8L IS USM. $200 for 3 weeks. And I'm sorry to say, it's ridiculously awesome on his 7D. Breathtaking portrait shots, but you will have to stand pretty far back from your subject and this could be an issue you need flash, though I believe you said you're full-frame so you -might- be okay on the flash situation with just a soft box if you do need flash. OTOH, if you're doing portraits as a living and are buying a $2,000 lens, you proably can afford a $1,000 flash setup too. Having said all this, if you're not sure, you should seriously consider renting before you buy, or -at least- go to a camera store and see if you can try it out (buy it at the store if you do go take up their time). Good luck. Last edited by vanbach0; 03-02-2013 at 08:30 AM.. |
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