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Immortalsolitude 1.9K Views
Aug 3, 2026 8:59 PM

Atomos StudioSonic Wired/Wireless Supercardioid Shotgun Condenser Microphone $169

$169

$349

51% off
B&H Photo Video
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Deal Details
B&H Photo Video has Atomos StudioSonic Microphone for $169

Features
Switches between 2.4 GHz wireless and wired connections
USB-C and 3.5mm output options
24-bit / 48 kHz digital audio output
Selectable 75/150 Hz low-cut filter and high-frequency boost
Up to 8 hours of battery life in wireless mode, up to 50 hours wired
Includes wireless receiver, cables, wind shields, and carrying case

https://www.bhphotovideo.com/c/pr...n_mic.html
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Deal Details
Community Notes
About the Poster
B&H Photo Video has Atomos StudioSonic Microphone for $169

Features
Switches between 2.4 GHz wireless and wired connections
USB-C and 3.5mm output options
24-bit / 48 kHz digital audio output
Selectable 75/150 Hz low-cut filter and high-frequency boost
Up to 8 hours of battery life in wireless mode, up to 50 hours wired
Includes wireless receiver, cables, wind shields, and carrying case

https://www.bhphotovideo.com/c/pr...n_mic.html

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3 Comments

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Aug 5, 2026 4:38 AM
279 Comments
Joined Apr 2018
EvilTimmyAug 5, 2026 4:38 AM
279 Comments
No 32-bit float is kinda a killer in this price range, especially as you're likely to be using this as an on-camera or fixed boom/stand mic, and clipped audio isn't something you can easily retake with paid talent on a later shoot day. This is the kind of kit you'd use for smaller interviews where you want good off-axis rejection to reduce ambient noise (supercardioid), and it's likely to be just an interviewer and camera op with the subject, so there's not a separate sound mixer riding levels.
Aug 7, 2026 7:26 PM
521 Comments
Joined Dec 2005
The_AbbotAug 7, 2026 7:26 PM
521 Comments
Quote from EvilTimmy View quoted comment :
No 32-bit float is kinda a killer in this price range, especially as you're likely to be using this as an on-camera or fixed boom/stand mic, and clipped audio isn't something you can easily retake with paid talent on a later shoot day. This is the kind of kit you'd use for smaller interviews where you want good off-axis rejection to reduce ambient noise (supercardioid), and it's likely to be just an interviewer and camera op with the subject, so there's not a separate sound mixer riding levels.
Would this be decent for in studio talking head content?
Aug 9, 2026 2:17 PM
279 Comments
Joined Apr 2018
EvilTimmyAug 9, 2026 2:17 PM
279 Comments
Quote from The_Abbot View quoted comment :
Would this be decent for in studio talking head content?
Yes, with the caveat that if the talent turns their head/body too far the audio can drop off pretty sharply. Ideally you've got something like this plus recording another channel of lavs on all your subjects, or an omni overhead/near to catch anything that'd otherwise get missed.

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