| Exposure Modes: |
Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Autofocus Sensitivity: |
-3 to +20 EV |
| Memory Card Slot: |
Slot 1: SD/SDHC/SDXC (UHS-II)Slot 2: SD/SDHC/SDXC/Memory Stick Duo Hybrid (UHS-I) |
| Sensor Size: |
35.6 x 23.8 mm |
| Recording Limit: |
Up to 29 Minutes |
| Metering Range: |
-3 to 20 EV |
| Focus Mode: |
Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
| Lens Mount: |
Sony E |
| Wireless: |
Wi-FiBluetooth |
| Viewfinder Size: |
0.5\" |
| Image Stabilization: |
Sensor-Shift, 5-Axis |
| White Balance: |
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Exposure Compensation: |
-5 to +5 EV (1/3, 1/2 EV Steps) |
| Maximum Resolution: |
6000 x 4000 |
| GPS: |
No |
| Sensor Type: |
CMOS |
| Flash Compensation: |
-3 to +3 EV (1/3, 1/2 EV Steps) |
| Continuous Shooting: |
Up to 10 fps at 24.2 MP for up to 89 Frames (Raw) / 177 Frames (JPEG)Up to 8 fps at 24.2 MPUp to 6 fps at 24.2 MPUp to 3 fps at 24.2 MP |
| Pixels: |
Actual: 25.3 MegapixelEffective: 24.2 Megapixel |
| Self-Timer: |
2/5/10-Second Delay |
| Built-In Flash: |
No |
| Viewfinder Coverage: |
100% |
| Battery: |
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh |
| Viewfinder Type: |
Electronic |
| Dimensions (W x H x D): |
5 x 3.8 x 2.9\" / 126.9 x 95.6 x 73.7 mm |
| Metering Method: |
Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot |
| Maximum Sync Speed: |
1/250 Second |
| Monitor Resolution: |
921,600 Dot |
| ISO Sensitivity: |
Auto, 100 to 51200 (Extended: 50 to 204800) |
| Viewfinder Eye Point: |
23 mm |
| External Flash Connection: |
Hot Shoe |
| Image File Format: |
JPEG, Raw |
| Dedicated Flash System: |
TTL |
| Connectivity: |
3.5mm Headphone, 3.5mm Microphone, HDMI D (Micro), USB Type-C (USB 3.0) |
| External Recording Modes: |
4:2:2 8-BitUHD 4K (3840 x 2160) at 24.00p/25p/29.97pFull HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p |
| Monitor Type: |
Tilting Touchscreen LCD |
| Autofocus Points: |
Phase Detection: 693Contrast Detection: 425 |
| Audio Recording: |
Built-In Microphone (Stereo)External Microphone Input |
| Audio File Format: |
AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
| Camera Format: |
Full-Frame (1x Crop Factor) |
| Viewfinder Resolution: |
2,359,000 Dot |
| Video Encoding: |
NTSC/PAL |
| Flash Modes: |
Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless |
| Viewfinder Magnification: |
Approx. 0.78x |
| Diopter Adjustment: |
-4 to +3 |
| Recording Modes: |
XAVC S/H.264UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s] Full HD (1920 x 1080) at 100p/119.88p [60 to 100 Mb/s] Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s] Full HD (1920 x 1080) at 50p/59.94p [25 Mb/s] Full HD (1920 x 1080) at 25p/29.97p [16 Mb/s] AVCHD/H.264Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s] Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s] |
| Bit Depth: |
14-Bit |
| Box Dimensions (LxWxH): |
8.1 x 6 x 5.4\" |
| Aspect Ratio: |
3:2, 16:9 |
| Focus Type: |
Auto and Manual Focus |
| Monitor Size: |
3\" |
| Operating Temperature: |
32 to 104°F / 0 to 40°C |
| Shutter Speed: |
1/8000 to 30 Seconds Bulb Mode |
| Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.rnrnThe sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible. |
| An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.rnrnThe apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. |
| Packed into the robust a7 III is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.rnrnFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. |
| Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.rnrnAffording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. |
| rnrnA Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.rnrnAn advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.rnrnHighlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.rnrnAnti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.rnrnPicture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.rnrnCreative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps). |
| 24MP Full-Frame Exmor R BSI CMOS Sensor |
| BIONZ X Image Processor & Front-End LSI |
| 693-Point Hybrid AF System |
| UHD 4K30p Video with HLG & S-Log3 Gammas |
| 2.36m-Dot Tru-Finder OLED EVF |
| 3.0" 922k-Dot Tilting Touchscreen LCD |
| 5-Axis SteadyShot INSIDE Stabilization |
| ISO 204800 and 10 fps Shooting |
| Built-In Wi-Fi and NFC, Dual SD Slots |
| USB Type-C Port, Weather-Sealed Design |
65 Comments
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Has this been lower? Only one i can find is the 1798 + 15% cashback and this beats that.
Our community has rated this post as helpful. If you agree, why not thank Leo951
Math must be hard for you
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The R5 wil be a camera at a higher price point tho...something compare to the A9
How do you get 15% back