Try buying a 300W high CRI color accurate COB LED, and a driver for that and see how much it costs. Probably $200+ retail price just for the LED and driver. Then you need the cooling, casing, controls, etc..
This is a 300w led, not a 300ws strobe. Very different things.
You clearly don't know anything you are talking about here. Godox IS the cheap brand, try looking around at other photography lighting and seeing the difference. Just because there will always be someone cheaper, doesn't mean they are better/more reliable/safer/color accurate.
Also, Flashpoint being Adorama's brand name means they actually cover it under warranty, vs Godox offering no actual warranty (good luck ever getting anyone in China to reply to you!)
The Godox brand is meant to manufacture equipment, and it's more like the auto industry - the dealer is the one who provides the warranty and service, not the equipment manufacturer.
But hey, what would I know, as a busy and respected professional in the industry that actually USES the equipment. 🤷🏼 ♂️
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I bought a VL300 and VL150 a year ago, and love them. Time to buy another VL300. Great lights. Super powerful. Very quiet. Well constructed. What more could you ask for?
Just wanted to share my godox experience. I have a SL150y that has fantastic light output and looks great on camera **BUT**, it overheats within 10 minutes. By the time I used the light I was well beyond the return window and I very well could have just gotten a lemon, but my understanding is that the issue persists throughout alot of their line.
I now have a Amaran 200d that has been an absolute workhorse and ran me $300. It's 65,000 LUX and paired with a decent diffuser has made interviews and product lighting dead simple. Just my two cents for people looking.
The first generation SL line is known for its overheating and loud fan noises. These have been addressed in the SL II and VL line with updated silent fans, great build, and rosette locks. The easiest way to tell you're using the new generation is looking out for the yellow trimming on the body design.
The VL line really shines in having the control and power unit separate the body, which allows exchanging the power adapter for V-mount batteries. No more messing with wires when moving lights and gaffing them to the floor on set.
The UL line functions like VL but does away with fans and just passively cools itself via a larger heat sink and body. This is great for shots that need silence and high light output. The SL II and VL options are silent enough for me and their fans can be turned off at lower outputs.
The Amaran line is also great. The 200d's output actually exceeds the Apurture 300d mk2. I would avoid buying a used Amaran though because their first 200d distribution on release had bad fans and they've made some minor build improvements. I love Amaran's new 60D and 60X models for their compact size and ability to take V-mount and NPF batteries. The Apurture LS 60D is also a great buy with equivalent output of a 150w COB light (albeit outputs a smaller surface area) and combined with their exclusive spotlight mount makes it really versatile for its size and price (compared to a 150w light anyway)
My biggest caveat with Amaran line is that their build is not as strong as Godox gen 2 or Apurture (to be expected). Their plastic handles and stand mount has me exclusively using these lights for simple studios, gentler setups, or personal use. Heavy light modifiers will need to be supported separately to a c stand via matthellini clamp (especially for the 60D and 60X). For a hobbyist or starting youtuber, they might be overspending on a stronger stand and clamp to support their heavy diffusion needs versus just buying a light with a stronger mount/body and a standard light stand. Not to say this is a bad thing because a good c stand and clamp go a long way and are good investments in my opinion.
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Also, Flashpoint being Adorama's brand name means they actually cover it under warranty, vs Godox offering no actual warranty (good luck ever getting anyone in China to reply to you!)
The Godox brand is meant to manufacture equipment, and it's more like the auto industry - the dealer is the one who provides the warranty and service, not the equipment manufacturer.
But hey, what would I know, as a busy and respected professional in the industry that actually USES the equipment. 🤷🏼 ♂️
Sign up for a Slickdeals account to remove this ad.
I now have a Amaran 200d that has been an absolute workhorse and ran me $300. It's 65,000 LUX and paired with a decent diffuser has made interviews and product lighting dead simple. Just my two cents for people looking.
Here's what I got:
https://www.amazon.com/gp/product...UTF8&psc=1 [amazon.com]
The VL line really shines in having the control and power unit separate the body, which allows exchanging the power adapter for V-mount batteries. No more messing with wires when moving lights and gaffing them to the floor on set.
The UL line functions like VL but does away with fans and just passively cools itself via a larger heat sink and body. This is great for shots that need silence and high light output. The SL II and VL options are silent enough for me and their fans can be turned off at lower outputs.
The Amaran line is also great. The 200d's output actually exceeds the Apurture 300d mk2. I would avoid buying a used Amaran though because their first 200d distribution on release had bad fans and they've made some minor build improvements. I love Amaran's new 60D and 60X models for their compact size and ability to take V-mount and NPF batteries. The Apurture LS 60D is also a great buy with equivalent output of a 150w COB light (albeit outputs a smaller surface area) and combined with their exclusive spotlight mount makes it really versatile for its size and price (compared to a 150w light anyway)
My biggest caveat with Amaran line is that their build is not as strong as Godox gen 2 or Apurture (to be expected). Their plastic handles and stand mount has me exclusively using these lights for simple studios, gentler setups, or personal use. Heavy light modifiers will need to be supported separately to a c stand via matthellini clamp (especially for the 60D and 60X). For a hobbyist or starting youtuber, they might be overspending on a stronger stand and clamp to support their heavy diffusion needs versus just buying a light with a stronger mount/body and a standard light stand. Not to say this is a bad thing because a good c stand and clamp go a long way and are good investments in my opinion.