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Adorama | $499 |
Product Name: | Bugera T50 Infinium 50W Cage-Style 2-Channel Tube Amplifier Head with Infinium Tube Life Multiplier, Multi-Class A/AB Operation and Reverb |
Product Description: | When you think of classic British rock, the sound is undeniable. It's the stuff dreams are made of, that sweet clean crunch that spawned a generation of legendary players and the music that has stood the test of time. They packed all that iconic tone and all the edgy character of a modern high-gain amp into a small, but powerful package the T50 Infinium! They added a no-compromise post-phase-splitter, dual-VR Master Volume that lets you attenuate the signal right before the power tubes for full harmonic content at any level and a huge output transformer for increased dynamic response and clarity. With 4 x 12Ax7 tubes and 2 x EL34 power tubes, the T50 is capable of covering vast sonic territories with remarkable ease. A true 2-channel amplifier, the Clean and Lead channels are completely independent and each has its own custom-tailored 3-band tone stack (Treble/Mid/Bass) for the ultimate in tone shaping. • Hand-built 50-Watt guitar head driven by 4 x 12Ax7 and 2 x EL34 tubes • Authentic 2-channel preamp design-everything from traditional clean/crunch to modern high-gain sounds • Revolutionary Infinium Tube Life Multiplier technology: • Extends the life of your amplifier's expensive power tubes up to 20 times • Provides incredible reliability and consistent tone over the complete lifespan of your tubes • No need for expensive matched tube sets • Allows you to mix and match any combination of compatible tubes types and brands - Monitors performance of each power tube continuously and displays defective tubes to allow for easy and individual replacement • Switchable Class-A/AB operation for ultimate power amp voicing: Class-A for classic warmth and Class-AB for raw, high-speed power • Integrated high-definition reverb with dedicated Reverb control • Heavy-duty footswitch for Channel and Reverb function included • Vintage Equalizer section with dedicated Bass, Mid and Treble controls • Phat switch to boost the sound character of your guitar playing • Speaker-emulated output with 1 x 12 or 4 x 12 voicing option • Imped |
Product SKU: | but50infnium |
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I'm not a technician but I've got over a dozen classic tube amps, most of them point-to-point hand-wired , and I used to play in and record rock bands.
"Hand built" probably simply means hand-assembled. There's no way an amp specced like this could cover a skilled technicians wages and materials even in china even at the msrp.
I'm not saying it's a bad amp. But it's certainly not built with lifetime serviceability in mind, and I'm very curious how it sounds and how many corners were cut to push it out at that price point.
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Yeah, don't think a lot of guys here grasp how loud this actually is. A 50w tube head is loud as f#ck (even if that is peak output as a few people were complaining about). I was the same way when I was starting out years ago because I mainly had solid state gear and a 50w SS head would barely push a half stack enough to keep up with a live drummer and the rest of the band. Realistically you would need a 100w SS head to get anything done. As far as your T5 goes, I'm sure you can mod it a little to get a bit cleaner sound out of it. You may be able to bias the tubes slightly hotter (yes, I said hotter so that would give you a bit more headroom - it works backwards from what you would think). Other measures would be maybe get rid of some cathode bypass caps. If the amp has NFB coming off the output tube circling back to one of the preamp cathodes, try lowering the resistance. That makes a big difference without lowering the gain much, if any in my experience (it cancels out distortion). There's probably a few other little odds and ends you could do like that. Not a big fan of swapping 12ax7s for 12at7s or especially 12au7s (those should really get new bias resistors at the very least and don't know why everyone thinks they should just drop in just because they fit LOL). I'm sure that's what everyone will suggest to you; it's the usual go-to for some reason. It may reduce distortion plopping one or more of those tubes in, but it comes at the cost of gain (amp will probably not be as loud). I also suspect that the tubes which came with the amp are cheap chinese tubes, wouldn't hurt to swap them out with name brand ones and just keep the factory ones as spares. I've seen that little head on sale here before too and was kind of intrigued by it, especially since it has reverb. How is the reverb on it, is it usable? I would never have a use for the head in this deal thread at all (way too much power). If I did grab it, I would probably get to work modding it and convert it to a double EL34 single ended amp (would essentially cut the power in half and would possibly sound better in the process too).
My main amp is an Egnater Rebel 30 MKII and I have to switch it down to 1W to practice with it at home- and even then it's super loud. It's great in bars and small venues, but at home you'll rumble the plaster off the walls.
The EL34 is a common tube used in Class-AB configuration for 50-watt output guitar amplifiers.
My main amp is an Egnater Rebel 30 MKII and I have to switch it down to 1W to practice with it at home- and even then it's super loud. It's great in bars and small venues, but at home you'll rumble the plaster off the walls.
Most people listen to music with an average SPL of 75dB for relaxed listening, and 85dB for "spirited/critical" listening. The peak reference level is 105dB with 85dB average volume. In other words, 1 watts into a 12-inch cab can reach peak reference levels, which is "too loud" for most people. To get to a comfortable 85dB average volume with a 12-Inch cab, you need 0.01 watts of power.
The EL34 is a common tube used in Class-AB configuration for 50-watt output guitar amplifiers.
You know sometimes you're both partly right, you know. By "compatible" he could just mean tubes have differences. Similarities too, to be sure. But of course they are not the same completely or they wouldn't be what they are.
If you meant tube and non-tube amplification can sound good like tubes then you are correct. And it depends on the build quality and (many) methods used to match. And in more than one metric (that really matters).
In any case thank you all for lending and experience, tips, knowledge etc...
Honor for all! Even if only at base sometimes.
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Most people listen to music with an average SPL of 75dB for relaxed listening, and 85dB for "spirited/critical" listening. The peak reference level is 105dB with 85dB average volume. In other words, 1 watts into a 12-inch cab can reach peak reference levels, which is "too loud" for most people. To get to a comfortable 85dB average volume with a 12-Inch cab, you need 0.01 watts of power.