frontpageiconian | Staff posted Jan 29, 2026 07:54 PM
Item 1 of 4
Item 1 of 4
frontpageiconian | Staff posted Jan 29, 2026 07:54 PM
Catalinbread Guitar Pedals: 30+ Select Models
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The Formula 5F6 (The "Tweed" Era): The 5F6 replicates the 1959 Bassman. Keith Richards is famous for his late-50s Tweed Twin and Bassman amps. This pedal gets that "loose," saggy, mid-heavy crunch found on Sticky Fingers or Exile on Main St.
Dirty Little Secret (The "Get Yer Ya-Ya's Out" Sound): In the late 60s and early 70s, the Stones (especially Mick Taylor) used a lot of British-voiced grit. Setting the DLS to "Super Bass" mode gives you that thick, woody Marshall tone that isn't too "metal," perfectly mimicking their 1969-1972 live sound.
Sabbra Traditional Ink Overdrive Specifically designed to replicate the "Rig of Doom" used by Tony Iommi of Black Sabbath. Basically Sabbath in a box. The pedal's circuit is a combination of two specific pieces of vintage gear: Dallas Rangemaster: A classic treble booster that Iommi used to push his signal. Laney Supergroup: The specific British tube amplifier preamp that defined the early Sabbath sound. JFET Technology: It uses JFETs instead of tubes to mimic the sag and saturation of a cranked tube amp.
He designs the circuitry and he's a retro gaming enthusiast.
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The Formula 5F6 (The "Tweed" Era): The 5F6 replicates the 1959 Bassman. Keith Richards is famous for his late-50s Tweed Twin and Bassman amps. This pedal gets that "loose," saggy, mid-heavy crunch found on Sticky Fingers or Exile on Main St.
Dirty Little Secret (The "Get Yer Ya-Ya's Out" Sound): In the late 60s and early 70s, the Stones (especially Mick Taylor) used a lot of British-voiced grit. Setting the DLS to "Super Bass" mode gives you that thick, woody Marshall tone that isn't too "metal," perfectly mimicking their 1969-1972 live sound.
Sabbra Traditional Ink Overdrive Specifically designed to replicate the "Rig of Doom" used by Tony Iommi of Black Sabbath. Basically Sabbath in a box. The pedal's circuit is a combination of two specific pieces of vintage gear: Dallas Rangemaster: A classic treble booster that Iommi used to push his signal. Laney Supergroup: The specific British tube amplifier preamp that defined the early Sabbath sound. JFET Technology: It uses JFETs instead of tubes to mimic the sag and saturation of a cranked tube amp.
He designs the circuitry and he's a retro gaming enthusiast.
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Our community has rated this post as helpful. If you agree, why not thank THQ Bone
He designs the circuitry and he's a retro gaming enthusiast.
EDIT: I have the older version with the internal switches. I'm not sure how different this pedal is because it only has 2 knobs. It sounds pretty similar though and great if you are looking for a monstrous fuzz.
The Formula 5F6 (The "Tweed" Era): The 5F6 replicates the 1959 Bassman. Keith Richards is famous for his late-50s Tweed Twin and Bassman amps. This pedal gets that "loose," saggy, mid-heavy crunch found on Sticky Fingers or Exile on Main St.
Dirty Little Secret (The "Get Yer Ya-Ya's Out" Sound): In the late 60s and early 70s, the Stones (especially Mick Taylor) used a lot of British-voiced grit. Setting the DLS to "Super Bass" mode gives you that thick, woody Marshall tone that isn't too "metal," perfectly mimicking their 1969-1972 live sound.
Sabbra Traditional Ink Overdrive Specifically designed to replicate the "Rig of Doom" used by Tony Iommi of Black Sabbath. Basically Sabbath in a box. The pedal's circuit is a combination of two specific pieces of vintage gear: Dallas Rangemaster: A classic treble booster that Iommi used to push his signal. Laney Supergroup: The specific British tube amplifier preamp that defined the early Sabbath sound. JFET Technology: It uses JFETs instead of tubes to mimic the sag and saturation of a cranked tube amp.
Quality post, would the 5F6 be good for the crunchy Let It Bleed sounds?
https://www.youtube.com/watch?v=cxSqn3c
https://www.youtube.com/watch?v=cxSqn3c
Well, I vote for Steve Miller/Joe Walsh type of sounds
https://www.youtube.com/watch?v=uoBNANb
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