Amazon has
Alice in Chains: Jar of Flies LP: 30th Anniversary Edition (Reissued Vinyl Album) for
pre-order for
$22.98.
Shipping is free w/ Prime or on $35+ orders.
Alternatively,
Revolver Mag also has
Alice in Chains: Jar of Flies LP: 30th Anniversary Edition (Reissued Vinyl Album) for pre-order for $22 - 10% Off w/ discount code
BABYCOMEBACK10 (
apply in cart) + $0.99 Shipping Protection =
$20.69. Shipping is ~$6.87 (
via Media Mail).
Thanks to community member(
s)
blarneyrubble,
itaos &
bonzaixx1 for finding this deal
Note, this vinyl LP album is set to release on March 22, 2024.
Tracklist- Side A
- Rotten Apple
- Nutshell
- I Stay Away
- No Excuses
- Side B
- Whale & Wasp
- Don't Follow
- Swing on This
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I bought this CD the day it came out, then got an Auntie Anne's pretzel and spent about $5 playing Mortal Kombat for a few hours.
Always a TU for AIC.
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I bought this CD the day it came out, then got an Auntie Anne's pretzel and spent about $5 playing Mortal Kombat for a few hours.
Always a TU for AIC.
And one of these days people will again laugh at how crazy we were for buying vinyl again. Sure it sounds better than streaming, but not CDs.
Vinyl doesn't always "sound better" than streaming, and even when you feel it doesn't "sound better" than CD quality it, depending on manufacturing and recording, could technically represent more precise audio on the analog media. It's just that analog has come a long way over the years and there are amazing things that are doable now that surely weren't in 1903...
One major issue with vinyl is putting it through a digital processor to amplify the signal. But even if you are all analog it is a touchy matter since every output and input of each stage has different characteristics and alters the audio at every step of the game. Digital not so much, but once it goes the data is very very gone and it really can leave the mix seeming a bit sterile at times versus colorful and lively on some vinyl. Supertramp's album breakfast in america is a great example where the vinyl seemingly comes alive but digitally the album seems very flat.
I would imagine some of the more noteworthy MTV Unplugged sets would probably have this effect too.
When the original analog recording gets converted to digital, the waveforms have to be assigned a summarized limited numerical value in a limited range (defined by the digital bit value of the medium used) to represent the changes in frequency and amplitude.
In simplest terms, it represents a loss of precision. For audio CDs you're getting 16-bits of audio representation taken from the near unlimited representation of the signal in the original analog (assuming the original source was analog).
In a single moment of a recording where an analog signal might represent a value which could be measured in millionths of places, the digital version in your ears will only represent the first 16. That's enough for a lot of people, but at the end of the day you're not listening to a reproduction of the recording, you're listening to a playback of approximated shortened values of the original input signals. Another way of saying it is that you're not listening to Layne's voice, you're listening to an arbitrarily limited calculated value of what a computer chip thinks Layne's voice sounded like.
It's the same with video. When you take a digital photograph it might look great, but it's only a computational representation of nearest-neighbor light color values. "It looks better than film!", you might say. Yeh, try zooming in 100x.
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When the original analog recording gets converted to digital, the waveforms have to be assigned a summarized limited numerical value in a limited range (defined by the digital bit value of the medium used) to represent the changes in frequency and amplitude.
In simplest terms, it represents a loss of precision. For audio CDs you're getting 16-bits of audio representation taken from the near unlimited representation of the signal in the original analog (assuming the original source was analog).
In a single moment of a recording where an analog signal might represent a value which could be measured in millionths of places, the digital version in your ears will only represent the first 16. That's enough for a lot of people, but at the end of the day you're not listening to a reproduction of the recording, you're listening to a playback of approximated shortened values of the original input signals. Another way of saying it is that you're not listening to Layne's voice, you're listening to an arbitrarily limited calculated value of what a computer chip thinks Layne's voice sounded like.
It's the same with video. When you take a digital photograph it might look great, but it's only a computational representation of nearest-neighbor light color values. "It looks better than film!", you might say. Yeh, try zooming in 100x.
When the original analog recording gets converted to digital, the waveforms have to be assigned a summarized limited numerical value in a limited range (defined by the digital bit value of the medium used) to represent the changes in frequency and amplitude.
In simplest terms, it represents a loss of precision. For audio CDs you're getting 16-bits of audio representation taken from the near unlimited representation of the signal in the original analog (assuming the original source was analog).
In a single moment of a recording where an analog signal might represent a value which could be measured in millionths of places, the digital version in your ears will only represent the first 16. That's enough for a lot of people, but at the end of the day you're not listening to a reproduction of the recording, you're listening to a playback of approximated shortened values of the original input signals. Another way of saying it is that you're not listening to Layne's voice, you're listening to an arbitrarily limited calculated value of what a computer chip thinks Layne's voice sounded like.
It's the same with video. When you take a digital photograph it might look great, but it's only a computational representation of nearest-neighbor light color values. "It looks better than film!", you might say. Yeh, try zooming in 100x.
Actually vinyl's dynamic range is about 70dB for a perfect pressing. CD is around 90dB, 24-bit PCM and DSD is even better in the 120-144dB range. So no, it ranks the worse, BUT it's enough for playback purposes in most cases.